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The death of Artemio Cruz

Autor: Carlos Fuentes; Sam Hileman
Editora: New York : Farrar, Straus and Giroux, ©1964.
Séries: Noonday, 307
Edição/Formato   Imprimir livro : Ficção : InglêsVer todas as edições e formatos
Resumo:
An imaginative portrait of an unscrupulous individual, the story also serves as commentary on Mexican society, most notably on the abuse of power--a theme that runs throughout Fuentes' work. As the novel opens, Artemio Cruz, former revolutionary turned capitalist, lies on his deathbed. He drifts in and out of consciousness, and when he is conscious his mind wanders between past and present. The story reveals that  Ler mais...
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Detalhes

Gênero/Forma: Historical fiction
Fiction
History
Spanish fiction
Formato Físico Adicional: Online version:
Fuentes, Carlos.
Death of Artemio Cruz.
New York : Farrar, Straus and Giroux, ©1964
(OCoLC)681546260
Tipo de Material: Ficção
Tipo de Documento Livro
Todos os Autores / Contribuintes: Carlos Fuentes; Sam Hileman
ISBN: 9780374505400 0374505403
Número OCLC: 2183200
Notas: Translation of: La muerte de Artemio Cruz.
Descrição: 306 pages ; 21 cm.
Título da Série: Noonday, 307
Outros Títulos: Muerte de Artemio Cruz.
Responsabilidade: Carlos Fuentes ; translated from the Spanish by Sam Hileman.

Resumo:

An imaginative portrait of an unscrupulous individual, the story also serves as commentary on Mexican society, most notably on the abuse of power--a theme that runs throughout Fuentes' work. As the novel opens, Artemio Cruz, former revolutionary turned capitalist, lies on his deathbed. He drifts in and out of consciousness, and when he is conscious his mind wanders between past and present. The story reveals that Cruz became rich through treachery, bribery, corruption, and ruthlessness. As a young man he had been full of revolutionary ideals. Acts committed as a means of self-preservation soon developed into a way of life based on opportunism. A fully realized character, Cruz can also be seen as a symbol of Mexico's quest for wealth at the expense of moral values.

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